Tuesday, January 28, 2020

Anastasia Romanov a Mystery Essay Example for Free

Anastasia Romanov a Mystery Essay Anastasia Romanov Anastasia was born on June 18, 1901 to Tasar Nicholas II of Russia and his wife Alexandra Fyodorvna (Evans 2009). She was the youngest the five children the couple had. Anastasia had three sisters and one brother: Grand Duchess Tatiana, Grand Duchess Maria, Grand Duchess Olga, and Alexei Nikolaevich of Russia. She was very close to her dad, grandmother, and cousin, Princess Xenia She was stubborn and hated school. She would climb trees and stay in them to avoid school until her dad came and ordered her to get down. Her playmates name was Tatiana Botkin (King). At age 16 she stared to smoke secretly because of stress and tense. Sometimes her sister Olga would Join her (Anastasia). Anastasia was short, had blue eyes, and brown hair which was sometimes said to be blond with a reddish tint (see fg. 1). Fig. 1. This is a picture of Anastasia Romanov when she was younger (Anastasia). During World War I the royal family were kept hostage. On July 17, 1918 the Bolshevik secret police murdered the Romanov family. They had burt through the doors and started to fire their guns immediately. The bullets had ricocheted off Anastasia ecause she had diamonds sewed into her clothing (King); she did this so she could carry them palace to palace. There were two bodies that were not found, Anastasias and her brothers, Alexei (Frazpatrick 2005). Women would pretend to be Anastasia. The most famous was Anna Anderson. She had captured the imagination of America and Europe. Other imposters pretended to be other members of the Romanov family but no one could grab the imagination like Anna had. They also had proof that the other member had died because their bodies were found. The reason Anna could rab the imagination of America and Europe was because she was the same age, height, weight and also had the same hair and eyes as Anastasia. Anna even had the same deformed foot Just like Anastasia had. Anna had Jumped Offa bridged to commit suicide but was taken to the hospital. She had claimed to be Anastasia and had the story of how she escaped from the soldiers and where she has been hiding. She was hiding because she was scared that if someone noticed her than she would be shot and killed (King). Anastasias playmate and cousin had both spoken to Anna and thought that it was actually Anastasia but later changed their minds (King). Other family members on Anastasia had asked Anna questions and some believed others did not believe her. For the people that did not believe that Anna was Anastasia they came up with their own ideas of what happened to the real Anastasia. Some people thought that the soldiers took pity on her and let her get away. Others had thought that the Bolshevik police had burned her body so that there were no remains left (Anastasia). threw her body down a mineshaft and set of grenades. She could have gone to her randmothers house to hide from the police because Anastasia was very close to her grandmother. In 1979 a body of a girl was found by a Soviet architect. In those times there was no way to prove that the body was Anastasias. In 1979 the body was buried a second time but was believed to have been Anastasias. In the mass grave there were suppose to be eleven bodies but there were only nine ever found. The nine bodies were Tasar Nicholas, Alexandra Fyodorvna, Grand Duchess Tatiana, Grand Duchess Maria, and Grand Duchess Olga. However, architects found two additional bodies, round the area that they had found Anastasias, in 2007 (Young). At this time there were more scientific tools such as DNA testing. Alexei was identified by DNA testing; they used the skull of Maria to identify Alexei. Alexei skull was used to prove Anastasia died in 1918 with the rest of her family. This mystery has been playing with peoples minds ever since the death of the Romanov family. There are people sill today that believe the DNA testing was incorrect. Others think that scientist made up the data so they can say that they solved the mystery.

Monday, January 20, 2020

Personal Responsibility of Macbeth in Spakespeares Macbeth :: essays research papers

Let me ask just one question, have you ever heard anyone say something, that deep down it is known that, that is not right? Of course, everyone has been in that circumstance. Just because someone ‘tells’ you to do something does not mean that the deed gets done, right? If someone ‘told’ me to murder a lot of people, I’m not going to do it. The same follows for Macbeth. In the novel Macbeth written by William Shakespeare the main character, Macbeth, is told that he will become King. The only logical way to become king (in his own mind) is to kill the existing one, King Duncan. Lady Macbeth, Macbeth’s wife, has no uncertainty at all, in fact she wants him to become king more than he does, and tells him to murder Duncan to obtain this position. As one can see Macbeth not only knows what he is doing, but he knows what he is doing is wrong. Macbeth was not an unintelligent individual. In fact before he was crowned king, he was the thane of Cawdor. The novel insinuates that Macbeth was having uncertainties, â€Å"and cursed thoughts.† (2.1.8) To paraphrase lightly, the novel states, when Macbeth arrives at Inverness, Lady Macbeth overrides all of her husbands’ objections, and persuades him to kill the king that night. Telling us that he knew what he was doing was wrong! All he needed was a little persuading. Not only does Macbeth kill the king, but he stabs him in his sleep, along with all his chamberlains’ men. Also we know that he is fully aware of his wrong- doing is he had supernatural portents, like a vision of a, â€Å"bloody dagger of the mind/ a false creation.† (2.1.38-39) Macbeth pre- meditated this murder, and all the ones to come. Every human is born with a subconscious thought process known as your common sense. Not to kill is one of them. Yes, killing took place a lot more in that era, but it does not make it right to do so, but Macbeth’s greed took precedence over all these peoples’ lives, in fact, when Macbeth speaks to himself he states that his life is that of a â€Å"fruitless crown,† (3.1.62) or having no heir to the throne. Macbeth not only killed the king and his chamberlain’s men, but also Banquo, Banquo’s son Fleance, Lady Macduff, all the Macduff children.

Sunday, January 12, 2020

Clausewitz in the 21st Century

Clausewitz lived in a time where battles were fought in columns and lines, with soldiers using muskets and solid-shot cannon; when states were the exclusive actors in war; when technological change occurred over decades, if not centuries. What relevance could his work therefore have for the strategic problems of the 21st century? Introduction Clausewitz was not a cookbook writer. He was not looking for hard and fast rules for conducting war, which he eschews.Indeed, Clausewitzian theories elaborated at different periods of time are in close conjunction with the prevalent political, strategic, and military context, which is completely consonant with Clausewitz’s original conception of his own work: ‘Theory should be study, not doctrine [†¦] It is an analytical investigation leading to a close acquaintance with the subject; applied to experience – in our case, to military history – it leads to thorough familiarity with it.The closer it comes to that goal , the more it proceeds from the objective form of a science to a subjective form of a skill, the more effective it will prove in areas where the nature of the case admits no arbiter but talent. ’ ‘Theory is meant to educate the mind of the future commander, or, more accurately, to guide him in his self-education, not to accompany him to the battlefield. ’ If ‘the absurd difference between theory and practice’ is to be ended, then the correspondence between theory and practice implies the correspondence between the military commander and military thinker.Therefore, ‘self-education’ is important and useful to the military thinker too. He must not be bounded by a single theory of war but with the means to develop his own ideas (objective knowledge of war), fuelled by his talent (subjective capacity and application). The phenomena of war are more diverse than ever: from terrorism to inter-state war, from information war to riots in rural are as, from air strikes to intifada. Loose networks of limited wars have replaced the expectation of a nuclear apocalypse that characterized the Cold War.The differences and contradictions between the various conclusions and corresponding analyses regarding a strategic situation are but a reflection of the variety of military conflicts and the diversity of perspectives from which these conflicts are observed. These perspectives depend on time, culture, and political context. This phenomenon has been analyzed through the concept of strategic culture, that is ‘a distinctive and lasting set of beliefs, values and habits regarding the threat and use of force, which have their roots in such fundamental influences as the geographical setting, history and political culture’.States (e. g. Americans, Europeans, Chinese, Iranians, Indians etc. ) tend to have different perspectives on strategic problems, and the reason for these divergences probably goes beyond the defense of short-t erm interests. The extremely heterogeneous situation of the phenomena of war is analyzed from very different lenses of different strategic cultures, and hence makes states’ theories of war difficult to critique. Moreover, it is difficult to validate the doctrines that reflect these different theories by the use of examples of operational success or failure.Therefore, the need for a theory-of-theories of war remains valid. An overarching theory of war will take into account the influence of the interaction between the thinker and his object and can form the framework required to analyze the strategic debate. Clausewitz thus continues to remain relevant to analyze strategic problems of the 21st century as he had developed a theory about the theory of war. Research ApproachClausewitz recognized that Napoleon had overreached himself and the theoretical significance that a consistent, single military strategy could have different historical outcomes. In his own realization  œ evident in his note of 1827 – that any theory of war had to accommodate two sorts of war: war to overthrow the enemy; and war that is the basis of negotiation with him. Four fundamental contrasts are emphasized between the early and later Clausewitz because they remain central to contemporary debates about his work: (1) The primacy of military force versus the primacy of politics. 2) Existential warfare, or rather warfare related to one’s own identity, which engaged Clausewitz most strongly in his early years, as against the instrumental view of war that prevails in his later work. (3) The pursuit of military success through unlimited violence embodying ‘the principle of destruction’, versus the primacy of limited war and the limitation of violence in war, which loomed increasingly large in Clausewitz’s later years. (4) The primacy of defense as the stronger form of war, versus the promise of decisive results that was embodied in the seizure of of fensive initiative.It is not the intent or purpose of this paper to summarize Clausewitz’s works, given its scope, or to challenge the assertions of specific anti-Clausewitz writers such as Martin van Crevald, John Keegan or even Alvin and Heidi Toffler. The paper will instead highlight the seeming unbounded-ness of war (or armed conflict) and violence in the twenty-first century, and propose a strategy of containment of war and violence. This will relate later Clausewitz’s concepts of war and politics to our current reality. At the outset, I will provide an analysis of Clausewitz’s concept of the nature of war.Additionally, given the research question’s implication that Clausewitz should be marooned due to his lack of regard for ‘non-state actors’ and that his writings were in a time of slow ‘technological change’, I will also demonstrate that Clausewitz was well-aware of the influence of non-state actors and their ability to wa ge war; and his thoughts has continued relevance in our time of rapid technological changes. The Nature of War For Clausewitz, war was likened to a chameleon, allowing for changes to its appearance, but suggesting that its underlying nature remains unchanged.The character of war has certainly changed or morphed since his time. His critics argue that some changes can alter war’s very nature, and the nature of war today is radically different from the nature of war then, the age of Napoleon. In other words, the changes are more fundamental than can simply be accounted by shifting characteristics. The most recent English translation of the text, by Michael Howard and Peter Parat, renders its opening sentence thus: ‘War is more than a true chameleon that slightly adapts its characteristics to the given case. As a total phenomenon its dominant tendencies always make war a remarkable trinity. Clearly, a chameleon remains a chameleon whatever color it adopts for the time being . The crucial two words in the translation are ‘more than’, which imply that the circumstances of war can cause war to change more than its characteristics: War in other words is not like a chameleon. However, this translation did not capture the nuance of Clausewitz’s original: ‘Der Krieg ist also nicht nu rein wahres Chamaleon, weil er in jedem konkreten Fall seine Natur etwas andert, sondern er ist auch seinem Gesamterscheinungen nach, in Beziehung auf die in ihm herrschenden Tendenzen, eine wunderliche Dreifaltigkeit’.The implication here is that war may indeed be a chameleon, in that it changes its nature slightly in each individual case (its ‘character’), but not its nature in general, which is made up of the ‘trinity’ (addressed later). The translation thus reads: ‘War is not only a true chameleon, because it changes its nature slightly in each concrete case, but it also, in it is overall appearance, in relation to its inherent tendencies, a wondrous trinity’. The Primacy of Policy and the ‘Trinity’ War is an instrument of policy. ’ It ‘is simply a continuation of political intercourse, with the addition of other means’. Clausewtiz’s aphorism on the relationship between war and policy was now being dismissed not because war had no utility but because it is being waged for reasons that are not political or policy-driven. Critics argue that Clausewitz no longer have a place in the current strategic and security studies debates, where war was no longer the province of armed forces but also of non-state actors.The question was whether strategy, traditionally-defined, continues to be the best way of looking at what was, revealingly, no longer even called war, but armed conflict. Clausewitz understood a community as having its own political and social identity, even if it lacked statehood. Such an interpretation is consonant with Clausewitz’s own interest in wars before 1648, where he specifically linked the weaknesses of states to ‘exceptional manifestations in the art of war’.In his review of the history of war, he described ‘the semibarbarous Tartars, the republics of antiquity, the feudal lords and trading cities of the Middle Ages, eighteenth-century kings and the rulers and peoples of the nineteenth-century’ as ‘all conducting war in their own particular way, using different methods and pursuing different aims’. Despite this variability, Clausewitz stresses that war is all these cases remains a continuation of their policy by other means. In doing so, however, he suppresses the difference between the policies of states and the intentions of other communities which wage war.Therefore, it makes sense to supplement the primacy of policy as a general category with the affiliation of belligerents to a warring community. If the communities are states, we can speak of politics in th e modern sense; if they are ethnic, religious, or other communities, the value systems and goals of those communities (their ‘cultures’) are the more important factors. Based on this, we could replace Clausewitz’s meaning of state with the notion of it being that of the intentions, aims or values of the â€Å"warring community,† thus remaining much more faithful to his understanding of what a state embodies.Otherwise, we would implicitly express a modern understanding of Clausewitz’s concept of state. Clausewitz’s concepts of war (including armed conflict) and violence continue to be relevant so long as they are motivated by interests and policy and not hate, rage, boredom, the need for personal meaning and bonding. Die Wunderliche Dreifaltigkeit (The Wondrous Trinity) Clausewitz describes the trinity as composed of: (1) Primordial violence, hatred, and enmity, which are regarded as a blind natural force; (2) The play of chance and probabilit y, within which the creative spirit is free to roam; and 3) Its element of subordination, as an instrument of policy, which makes it subject to pure reason. Read in tandem with Clausewitz’s metaphor of war’s appearance from case to case as a chameleon, the trinity addresses the underlying forces that drive those changes. His message was that the relationship among these three elements was inherently unstable and shifting. To quote, ‘the task†¦is to keep our theory [of war] floating among these three tendencies’, and not try to set, or to count on any fixed relationship among them. Clausewitz and a New ContainmentThe Removal of the Inhibitions on War and a New Containment The twenty-first century appeared for a time an age defined by economics and, to a great extent, peace. These expectations quickly disappeared with the massacres and genocides in Africa, return of war to Europe, the 9/11 attacks, the Iraq and Afghanistan wars with their continuing, vi olent consequences and the Arab Springs. A struggle against a new totalitarianism of an Islamic type appears to have started, in which war and violence is commonly perceived as having an unavoidable role, and perceived to be becoming more ‘unbounded’ than ever before.Spatially, the terrorist are potentially ever present. Temporally, there seems no end-in-sight to their attacks. We face new types of threats such as the development of atomic bombs by ‘problematic’ states like Iran and North Korea and the possession of weapons of mass destruction by terrorists. The emergence of China as a potential superpower and perhaps great powers, like India, may lead to a fresh arms dynamic, with the possibility of a nuclear dimension. Violence seems to be going out of rational control, an image that the media has not hesitated to portray.There is a grave portent of mankind confronting a ‘coming anarchy’ of unknown dimensions. Hence, a new strategy of contain ment is needed. There is no longer one exclusive actor to be contained. A strategy for military containment of China similar to that used against the Soviet Union in the 1950s and 1960s, will likely provoke all kinds of crises and even conflict, which such a strategy intends to avoid. Therefore, a different concept of containment is needed, one that is not perceived as a threat by China.The second difference is that current developments in the strategic environment display fundamentally conflicting tendencies. A strategy designed to counter only one of these conflicting tendencies may be problematic with respect to the others. Therefore, there is a need to strike a balance between competing possibilities. The third difference is that the traditional containment was perceived mainly as military deterrence of the Soviet Union. The new containment must combine traditional, military containment on one side and a range of opportunities for cooperation on the other.That is necessary with respect not only to China, but even to political Islam, in order to reduce the appeal of militant Islamic movements to millions of Muslim youths. In response to this unbounded-ness on war and violence, a conception for their containment is needed to provide a sustained and continual limitation through the ‘fencing in and encircling of the same forces’. The guiding perspective is that of a peaceful, or rather a pacified, global society. This perspective cannot be equated with â€Å"peace† since in order to reach this goal, non-peaceful, violent and even military means must in some cases be employed.Clausewitz’s Concept of Politics The defeat of Napoleon was the turning point of Clausewitz’s theory, where he faced the problem of dealing with strategies of limited war within the same conceptual framework as those leading to total defeat of the enemy. He realized that there are very different and even contrasting kinds of war and strategy. The conflicti ng tendencies in war, especially between ‘limited’ and ‘unlimited’ war compelled Clausewitz to conclude that the unifying general principle was politics. However, which kind of politics could serve to contain war and violence in the twenty-first century?Clausewitz’s notions of limited warfare have their foundations in the last parts of book VIII. They find some reflection in book I, chapter 2: ‘Be that as it may, we must always consider that with the conclusion of peace the purpose of the war has been achieved'; and further on: ‘Since war is not an act of senseless passion but is controlled by its political object, the value of this object must determine the sacrifices to be made for it in magnitude and also in duration. ’ In book VIII, he stated: ‘In this way the belligerent is again driven to adopt a middle course.He would act on the principle of using no greater force, and setting himself no greater military aim, than woul d be sufficient for the achievement of his political purpose. To turn this principle into practice, he must renounce the need for absolute success in each given case. ‘ It is a natural step to evolve from his strategy of limited warfare to one of the limitations of war and violence as the overarching purpose of political action in the twenty-first century. This perspective is still based on Clausewitz's statement that war is a continuation of politics by other means, while trying to actualize his concept of politics.Clausewitz describes war on the one hand as a continuation of politics, but on the other side as waged with other than political means. This implicit tension is the basis of the explicit contrast between the first and the third tendencies of Clausewitz’s trinity. Furthermore, one could argue that globalization and the ubiquity of information technologies have created a worldwide political space from which no one can escape, however much his actions might be derived, in their immediate motivation, from private interests or from the cultural practices of ethnic or tribal communities.Hence, the role of politics is intensified and reaction time within all three tendencies of Clausewitz’s trinity is reduced. Containing War and Violence in World Society The concept of containment is associated with the insight that we cannot expect in the foreseeable future to see fully non-violent societies or a non-violent world society. In addition, the aspiration to a world without conflicts as such fails to recognize that in the course of history conflicts and conflict solutions have frequently been necessary for human development.The main task confronting politics and social forces in the twenty-first century is the radical limitation, even diminishing of violence and war, so that non-violent structures can be sustained and the mechanisms of the ‘world of societies' can come to fruition. The overall political perspective on which the conce pt of the containing of war and violence in world society rests therefore consists of the following elements, the ‘pentagon of containing war and violence': 1) The ability to deter and discourage any opponent from fighting a large-scale war and to conduct precise military action as a last resort; (2) The possibility of using military force in order to limit and contain particularly excessive, large-scale violence which has the potential to destroy societies; (3) The willingness to counter phenomena which help to cause violence, such as poverty and oppression, especially in the economic sphere, and also the recognition of a pluralism of cultures and styles of life in world society; 4) The motivation to develop a culture of civil conflict management (concepts which can be summed up in the ‘civilizational hexagon', global governance, and democratic peace), based on the observation that the reduction of our action to military means has proved counterproductive and in the end will exceed our military capabilities; and (5) Restricting the possession and proliferation of weapons of mass destruction, their delivery systems, as well as of small arms, because the proliferation of both is inherently destructive to social order. Antulio Echevarria writes that ‘the U. S.National Strategy for Combating Terrorism also includes an essential, but rather ambitious goal of diminishing the conditions that terrorists typically exploit, such as poverty, social and political disenfranchisement, and long-standing political, religious, and ethnic grievances; reducing these conditions requires, among other things, fostering political, social, and economic development, good governance, the rule of law, and consistent participation in the â€Å"war of ideas† Further important tasks include preventing the proliferation of weapons of mass destruction and of small arms.Normative criteria are required for the containment of war and violence in world society. Such cri teria combine political–moral considerations with aspects relevant to every state's interest in self-preservation. It requires political actors to recognize the advantages of self-limitation as part of their own enlightened self-interest. In anthropological terms, we can see the roots of the political in the openness and indeterminacy of the human power to act. In historical terms, we can follow Aristotle in seeing these roots in the way we are forced to limit ourselves once we become aware of the contingency of human actions.It follows from this that one of the decisive questions for future development is that of the possible self-interest of the United States, or regional powers, making conflict subject to legal norms, in civil conflict management, and binding military power into alliance systems. President Obama’s ‘Pivot to Asia’ necessitated the development of a military strategy for the potential, if highly improbable, conflict with China. Seeking a d ecisive victory or traditional military containment are not viable strategies in current and projected realities, as they probably only serve to escalate the situation.Also, the United States must select ways that minimize the probability of escalation to nuclear conflict simply because it does not understand China’s nuclear release process and there is no winner in a major nuclear exchange. The logic leads to the concept of Offshore Control. Operationally, it uses currently available means and restricted ways to deny China the use of the sea in a strategy of economic strangulation to exhaust China to the point it seeks war termination. Penetration into China is forbidden to reduce the possibility of escalation and to make war termination easier.Offshore Control seeks to allow the Chinese Communist Part to end the conflict in the same way China ended its conflicts with India, the UN (in Korea), the Soviet Union and the Vietnamese. It allows China to declare it â€Å"taught t he enemy a lesson† and thus end the conflict. The progressive limitation of war and violence indefinitely can be an end to itself in the realization of a basically peaceful global policy. The enduring and progressive containment of war and violence is therefore necessary for self-preservation of states, even their survival, and for the civility of individual societies and world society.Conclusion Clausewitz, in his note of 1827, recognized the need to rework the whole of On War according to his new insight, the distinction between limited war and war whose aim is to overthrow the enemy and render him powerless. However, he was not always clear in his thoughts especially in his early writings and even up to 1827. For example, there is a lack of clarity on the discourse at the beginning of book I, chapter 1, of the three interactions that push war to the extreme, despite the fact that these sections were presumably written after the note of 1827.It can be said that for the purpo se of analyzing and studying warfare, both the early and later Clausewitz is of great importance and value. However, for political and military action of our time, perhaps only the later Clausewitz needs serve as an important basis. As Clausewitz himself emphasized at the end of his discussion of the trinity, ‘at any rate, the preliminary concept of war casts a first ray of light on the basic structure of theory, and enables us to make an initial differentiation and identification of its major components. Thinking about contemporary and future warfare with, and sometimes beyond, Clausewitz can still be the best way to begin. Bibliography 1. Andreas, H. -R. (2009). Clausewitz and a New Containment. In S. Hew, ; H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 283-307). New York: Oxford University Press Inc. 2. Andreas, H. -R. , ; Antulio , E. (2007, December 27). Clausewitz in the Twenty First-Century: Primacy of Policy and a New Containment. From World Secur ity Network: http://www. worldsecuritynetwork. com/showArticle3. cfm? article_id=14985 3. Antulio, E. (1995-1996, Winter).War, Politics and the RMA: The Legacy of Clausewitz. Joint Force Quarterly, pp. 76-80. 4. Antulio, E. I. (2003). Globalization and the Clausewitzian Nature of War. The European Legacy, 8/3, pp. 317-32. 5. Clausewitz, C. v. (1976). On War. In H. Michael, P. Peter, H. Michael, ; P. Peter (Eds. ). New Jersey: Princeton. 6. Durieux, B. (2009). Clausewitz and the Two Temptations of Modern Strategic Thinking. In S. Hew, ; H. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 251- 265). New York: Oxford University Press Inc. 7. Hammes, T. (2012, Spring). Offshore Control: A Proposed Strategy. Infinity Journal, 2(2), pp. 0-14. 8. Hew, S. , ; Andreas, H. -R. (2009). Introduction. In S. Hew, ; H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 1-13). New York: Oxford University Press Inc. 9. Antulio, E. (2009). Clausewitz and the Nature of the Wa r on Terror. In S. Hew, ; H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 196-218). New York: Oxford University Press Inc. 10. Ken, B. , ; R. , T. (1999). Strategic Cultures in the Asia-Pacific Region. London. 11. Metz, S. (1994). Clausewitz Homepage. From A Wake for Clausewitz: Toward a Philosophy of 21st-Century Warfare: http://www. lausewitz. com/readings/Metz. htm 12. Sumida, J. (2009). On Defence as the Stronger Form of War. In S. Hew, ; H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 164-181). New York: Oxford University Press Inc. ——————————————– [ 1 ]. Durieux, B. (2009). Clausewitz and the Two Temptations of Modern Strategic Thinking. In S. Hew, & H. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 251- 265). New York: Oxford University Press Inc. [ 2 ]. Carl von Clausewitz, On War, trans. and ed. Michael Howard and Pet er Parat (Princeton, NJ, 1976), II, 2, p. 141. 3 ]. Ibid. II, 2, p. 141. [ 4 ]. Ibid. II, 2, p. 142. [ 5 ]. Ken, B. , & R. , T. (1999). Strategic Cultures in the Asia-Pacific Region. London. [ 6 ]. Durieux, B. (2009). Clausewitz and the Two Temptations of Modern Strategic Thinking. In S. Hew, & H. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 251- 265). New York: Oxford University Press Inc. [ 7 ]. The same principles and strategies that were the decisive foundation of Napoleon’s initial successes at Jena and Auerstedt proved inadequate in the special situation of the Russian campaign and eventually contributed to his final defeat at Waterloo. 8 ]. Clausewitz or Sun Tzu – Paradigms of warfare for the 21st century written by: Andreas Herberg-Rothe, 13-Dec-06. WorldSecurityNetwork. com – WorldSecurityNetwork. com. http://www. worldsecuritynetwork. com/printArticle3. cfm? article_id=13757 [ 9 ]. On War, I, 1,  §28, P. 89. [ 10 ]. Hew, S. , & Andrea s, H. -R. (2009). Introduction. In S. Hew, & H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 1-13). New York: Oxford University Press Inc. [ 11 ]. Vom Kriege, ed. Werner Hahlweg (19th edn, Bonn, 1980), 1, 1,  §28, pp. 212-213. 12 ]. On War, VIII, 6B, p. 610. [ 13 ]. Ibid. p. 605. The phrase ‘with the addition of other means’ is deliberately used by Howard and Paret as they wanted to make it clear that war in itself does not suspend political intercourse or change it into something entirely different. Essentially, the intercourse continues, irrespective of the means it employs. The main lines along which military events progress, and to which they are restricted, are political lines that continues throughout war into the subsequent peace. It could not be otherwise.Political relations between peoples and between their governments do not stop when diplomatic notes are no longer exchanged. [ 14 ]. The German word Politik covers both policy and politics . Clausewitz did mean different things at different points. Sometimes the context suggests that he has foreign policy in mind, at others he highlights the social upheaval of the French Revolution and its consequence for warfare. [ 15 ]. Antulio Echevarria, ‘War, Politics and the RMA: The Legacy of Clausewitz’, Joint Force Quarterly, 10 (winter 1995-6), 76-80. [ 16 ]. On War, VIII, 3B, p. 589 [ 17 ]. Ibid. p. 586. 18 ]. Hew, S. , & Andreas, H. -R. (2009). Primacy of Policy and Trinity in Clausewitz’s Thought. In S. Hew, & H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 74-90). New York: Oxford University Press Inc. No modern translator is prepared to render wunderliche in the military context as â€Å"wonderful† or â€Å"wonderous†. Howard and Paret in 1976 used ‘remarkable’, which was a throwaway word of no particular significance. This was changed to ‘paradoxical’ in the 1984 edition, but this word seem s to have no relationship to wunderliche and carries inappropriately negative connotations. 19 ]. On War, I, 1,  §28. [ 20 ]. Ibid. Clausewitz’s description of the trinity followed after the metaphor of war as a chameleon. [ 21 ]. Ibid. [ 22 ]. George Kennan formulated his original vision of containment more than sixty years ago. Although altered in its application by various administrations in the United States, it has in practice been incorporated within the concept and politics of common security, which in turn has itself been the essential complement to purely military containment. [ 23 ]. In comparison to the Cold War. [ 24 ].Between globalization on the one hand, and local struggles for identity and regional advantages and interests on the other; between high-tech wars and combat with ‘knives and machetes’ or attacks by suicide bombers between symmetrical and asymmetrical warfare; between wars over the ‘world order’, with the re-politicizatio n and re-ideologization, between imperial-hegemonic dominance of the only superpower and the formation of new regional power centers; between international organized crime and the institutionalization of regional and global communities; and between increasing violations of international law and human rights on one side and their expansion on the other. [ 25 ]. Andreas, H. -R. (2009). Clausewitz and a New Containment. In S. Hew, & H. -R. Andreas (Eds. , Clausewitz in the Twenty-First Century (pp. 283-307). New York: Oxford University Press Inc. [ 26 ]. Clausewitz discussed unlimited and limited war in terms that supported his conception of the defense as the stronger form of war. The central issue in both cases of war was the will of the combatants. Unlimited war occurred when the attacker was determined to destroy the political independence of the defender through battle if necessary, and the defender no less determined to preserve its political independence. Equivalence in the stre ngth of will did not, however, mean the outcome would be determined by the balance of military forces and the fortunes of war.Even catastrophic military defeat at the hands of a militarily superior attacker, Clausewitz believed, would not produce a decision if the defender had the will to preserve what remained of his regular military forces by retreat even to the point of abandonment of all national territory, and to resort to armed popular support against the invader in spite of its potential to promote anarchy. Limited war meant a situation in which the attacker's objectives did not involve the destruction of the political independence of the defender, and the defender's stake in the outcome was thus not one of survival. (Sumida, 2009) [ 27 ]. Andreas Herberg-Rothe had elaborated this interpretation in Andreas Herberg-Rothe, Das Ratsel Clausewitz. Politische Theorie des Krieges im WIderstreit (Munich, 2001), 79-145, and in the English edition of the same book, Clausewitz’s Puzzle (Oxford, 2007).We can find this conclusion in the trinity; within the note of 1827, in which Clausewitz mentioned both aspects as guiding principles for reworking the whole text; in book I, chapter 2; and in most parts of book VIII of On War, [ 28 ]. On War, I, 2, pp. 91-2. [ 29 ]. Ibid. VIII, 3B, p. 585. [ 30 ]. It can be demonstrated that, due to systematic reasons but also with the respect to historical experience, trying to suspend this tension for the sake of the primacy of one of the two sides always leads to a primacy of the military means, of warfare and violence; see Beatrice Heuser, Reading Clausewitz (London, 2002). [ 31 ]. Antulio, E. I. (2003). Globalization and the Clausewitzian Nature of War. The European Legacy, 8/3, pp. 317-32. [ 32 ].Ernst Otto Czempiel, Weltpolitik im Umbruch. Die Pax Americana, der Terrorisinus und die Zukunft der interuationalen Bezh. ‘hungen (Munchen, 2002). [ 33 ]. Andreas, H. -R. (2009). Clausewitz and a New Containment. In S. H ew, & H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 283-307). New York: Oxford University Press Inc. [ 34 ]. Antulio, E. (2009). Clausewitz and the Nature of the War on Terror. In S. Hew, & H. -R. Andreas (Eds. ), Clausewitz in the Twenty-First Century (pp. 196-218). New York: Oxford University Press Inc. [ 35 ]. Hammes, T. (2012, Spring). Offshore Control: A Proposed Strategy. Infinity Journal, 2(2), pp. 10-14. [ 36 ]. Ibid. I, 1,  §28, p. 89.

Saturday, January 4, 2020

Biography Of Eugene ONeill Essay example - 1514 Words

BIOGRAPHY OF EUGENE O’ NEILL Eugene Gladstone O’Neill was born in a New York City hotel room on 16th October, 1888,he son of famous actor James O’Neill and Ella O’Neill, spent the first seven years of his life touring with his father’s theater company. These years introduced O’Neill to the world of theater and the difficulties of maintaining artistic integrity. His father, once a well-known Shakespearean, had taken a role in a lesser play for its sizable salary. Family life was unstable. ONeills mother frequently accompanied her husband on tour and, although they had a long-standing summer home, Monte Cristo Cottage in New London, Connecticut, the family was constantly on the move. O’Neill spent the next seven years of his life†¦show more content†¦Eugene went on an unsuccessful gold prospecting expedition to Hondurasin and, over the next few years, largely supported by his father, lived in a variety of places, including, when in a state of destitution, Buenos Aires. In Buenos Aires he tried a succession of jobs..In 1912, living in a New York flophouse, he attempted suicide with veronal. In December, tuberculosis having been diagnosed, he entered Gaylord Sanatorium, where he stayed for five month. O’Neill returned to his parents’ home. It was there among the turmoil of a despondent father and a morphine-addicted mother, he became an emotionally turbulent person characterized by drunken sprees that was one reason that he decided to become a playwright. During his recuperation, ONeill read voraciously. His reading ranged across the whole Western dramatic canon, but he devoted special attention to Ibsen, Wedekind, and above all, Stri ndberg He began to write in earnest, working on one-acts, full-length plays, and poetry. In 1916, Eugene ONeill became involved with the people who would found the Provincetown Players. The Provincetown Players became vital to the start of ONeills career. The relationship was perfect: ONeill got a venue for his plays, and gained valuable experience watching his plays actedShow MoreRelatedEugene ONeill and the Influence of Relgion of His Work1878 Words   |  8 Pageswill give a brief family history of Eugene and where their faith lies as well as look at the effect religion had on him throughout his life and, of course, on all of his work. Eugene’s father, James O’Neill, and his mother, Mary Ellen Quinlan (known as Ella) had two very different backgrounds. James grew up Irish Catholic and came over to the States with his family to escape the famine (Black pgs. 1-2) while Ella had a very wealthy and stable household. Eugene also had to older siblings, Jamie andRead More Biography of Eugene ONeil Essay1847 Words   |  8 PagesBiography of Eugene ONeil Eugene Oneill Through poverty and fame, An artist or nothing(Miller p6), was the motto of a man named Eugene ONeill, who wrote from his soul in an attempt to find salvation. 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Even though he is considered to be a Ballet dancer, Limon is well-known for performing and choreographing a great amount of Modern Dance piece. Jose Limon is significant to me because he is the first Modern Dance choreographer I knowRead MoreA Brief Biography of Charlie Chaplin Essay example1906 Words   |  8 Pages Charlie had many affairs with women at his young adult life because of the popularity he gained. He gained attention from many girls because of his fame, from his comedy shorts he made. But there was one who stayed with him and in June 1943, O’Neill married him a month after she turned 18. The 35 year old age gap was already a problem and her father also strongly disapproved of her wanting to become an actress. Her father also didnt want to marry so early and felt that Charlie was a joke thatRead MoreA Brief Look at Charles Chaplin2102 Words   |  8 Pagesafter she turned 18. 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Scott Fitzgerald labeled the Jazz Age. In this period of modernism, writers like Fitzgerald, Ernest Hemingway, T. S. Eliot, Eugene O’Neill, Edna St. Vincent Millay, and Hart Crane adopted the dictum ‘‘make it new,’’ and worked to separate contemporary American literature from the stultifying inï ¬â€šuence of late-nineteenth-century American culture. The primary example of the Victorian